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《煮海时光:侯孝贤的光影记忆》外文资料(依作者名字母序)

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Berry,Chris and Feii Lu.Island on the Edge:Taiwan New Cinema and After.Hong Kong:Hong Kong University Press,2005.

Berry,Michael. “Words and Images:A Conversation with Hou Hsiao-hsien and Chu Tien-wen.”Positions11,no.3(Winter2003):675-716.

——. “Hou Hsiao-hsien with Chu T“ien-wen:Words and Images.” [Interview].In Berry,ed.,Speaking in Images:Interviews with Contemporary Chinese Filmmakers.NY:Columbia UP,2005,234-271.

Bordwell,David.Figures Traced in Light:On Cinematic Staging.Berkeley,University of California Press,2005.

Browne,Nick. “Hou Hsiao-hsien’s Puppetmaster:The Poetics of Landscape.”Asian Cinema8,no.1(Spring1996):28-38.

Chen,Kuan-Hsing,Paul Willemen,and Ti Wei,eds. “Hou Hsiao-hsien”special issue.Inter-Asia Cultural Studies9,2(June2008).

Chi,Robert. “Getting It on Film:Representing and Understanding History in A City of Sadeness.”Tamkang Review29,no.4(Summer1999):47-84.

Chin,Annping.Four Sisters of Hofei:A History.New York:Scribner,2002.

Chu Tien-wen.Notes of a Desolate Man.Trans.Howard Goldblatt and Sylvia Lichun.New York:Columbia University Press,1999.

Davis,Darrell William and Ru-Shou Robert Chen.Cinema Taiwan:Politics,Popularity and State of the Arts.New York:Routledge,2002.

Ellickson,Lee. “Preparing to Live in the Present:An Interview with Hou Hsiaohsien.”Cineaste27,no.4(September2002):13-19.

Frodon,Jean-Michel,ed.Hou Hsiao-hsien.Lonrai:Editions Cahiers du cinema,1999.

Han Bangqing.The Sing-song Girls of Shanghai.First translated by Eileen Chang,revised and edited by Eva Hung.New York:Columbia University Press,2005.

Hong,Guo-Juin.Taiwan Cinema:A Contested Nation on Screen.New York:Palgrave Macmillan,2011.

Huang Chun-ming.The Taste of Apples.Translated by Howard Goldblatt.New York:Columbia University Press,2001.

Li Tuo. “Narratives of History in the Cinematography of Hou Xiaoxian.”Positions1,no.3(Winter1993):805-815.

Liao,Ping-hui.“Rewriting Taiwanese National History:The February28Incident as Spectacle.”Public Culture5,no.2(1993):281-296.

——. “Passing and Re-articulation of Identity:Memory,Trauma,and Cinema.”Tamkang Review29,no.4(Summer1999):85-114.

Lu,Tonglin.Confroniting Modernity in the Cinemas of Taiwan and Mainland China.Cambridge:Cambridge UP,2002,95-115.

Lupke,Christopher. “The Muted Interstices of Testimony:A City of Sadness and the Predicament of Multiculturalism in Taiwan.”Asian Cinema1,no.15(Spring2004):5-36.

Ma,Jean.Melancholy Drift:Marking Time in Chinese Cinema.Hong Kong:Hong Kong Univerity Press,2010.

Neri,Corrado. “A Time to Live,a Time to Die:A Time to Grow.”In Chris Berry,ed.,Chinese Films in Focus:25Takes,pp.160-166.London:British Film Institute,2003.

Reynaud,Berenice.A City of Sadness.London:British Film Institute,2002.

Shen,Claire Hsiu-chen.L’encre at l’écran:A la recherchéde la stylistique cinématographique chinoise,Hou Hsiao-hsien et Zhang Yimou.Taipei:Institut Ricci de Taipei,2002.

Silbergeld,Jerome. “Chapter3.The Chinese Heart in Conflict with Itself:Good Men,Good Women.”In Hitchcock with a Chinese Face:Cinematic Doubles,Oedipal Triangles,and China’s Moral Voice,pp.74-116.Seattle:University of Washington Press,2004.

Tam,Kwok-kan and Wimal Dissanayake. “Hou Hsiao-hsien:Critical Encounters with Memory and History,”In Kwok-kan Tam and Wimal Dissanayake,eds.,New Chinese Cinema,pp.46-59.Oxford:Oxford University Press,1998.

Udden,James. “Hou Hsiao-hsien and the Question of a Chinese Style.”Asian Cinema2,no.13(Fall/Winter2002):54-75.

——.No Man an Island:The Cinema of Hou Hsiao-hsien.Hong Kong:Hong Kong University Press,2009.

——. “Taiwanese Popular Cinema and the Strange Apprenticeship of Hou Hsiaohsien.”In Modern Chinese Literature and Culture1,no.15(Spring2003):120-145.

Wang,Ban. “Black Holes of Globalization:Critical of the New Millennium in Taiwan Cinema.”Modern Chinese Literature and Culture1,no.15(Spring2003):90-119.

Xu Gang,Gary. “Flowers of Shanghai:Visualising Ellipses and(Colonial)Absence.”In Chris Berry,ed.,Chinese Films in Focus:25Takes,pp.104-110.London:British Film Institute,2004.

Yeh,Yueh-yu. “Politics and Poetics of Hou Hsiao-hsien’s Films.”In Sheldon H.Lu and Emilie Yueh-yu Yeh,eds.,Chinese Language Film:Historiography,Poetics,Politics,pp.163——185.Honolulu:University of Hawaii Press,2005.

Yeh,Emilie Yueh-yu and Darrell William Davis.Taiwan Film Directors:A Treasure Island.New York:Columbia University Press,2005.

Yip,June.Envisioning Taiwan:Fiction,Cinema,and the Nation in the Cultural Imaginary.Durham:Duke University Press,2004.